
Look Here, Read: An “Emmy Lou” Sunday strip by Marty Links
Fans of the comic strip Peanuts will undoubtedly remember the startling sequence of strips from 1964 in which Lucy enters Linus and his blanket as her project in the school science fair:
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And if you are a superfan of Peanuts, you probably know that Schulz used the name “Martha Arguello” for one of the contestants in the science fair (see strip 4-17-64, The Complete Peanuts 1963-1964 [Vol. 7, Fantagraphics Books], p. 203) as a tribute to his fellow cartoonist and friend, Marty Links, the creator of the comic strip Bobby Sox, which was later renamed, and is perhaps better known as, Emmy Lou:
Marty was short for Martha, obviously, and Arguello was the storied surname of Martha’s high-school sweetheart, Alexander Arguello, whom Martha Links married in 1941.
(As far as I know, Marty Links always signed her maiden name to her comic strip. When she died in 2008, however, the headline of her obituary in the San Francisco Chronicle read as follows: “Martha Arguello – Bobby Sox, Emmy Lou cartoonist dies in San Rafael.”)
What even superfans of Charles Schulz may not know, however, is that Marty Links actually included a nod to Schulz in Emmy Lou! How do I know this? Because I recently purchased the Emmy Lou strip in which it happened from Heritage Auctions. Here’s the strip:
As you can see, in the first panel, Emmy Lou’s sad-sack boyfriend, Alvin, says, “I don’t think our art teacher Mr. Schulz, likes me.” Now, I doubt that any cartoonist would use the name Schulz in a comic strip by accident; it’s almost certainly a name check. But were Schulz and Links also friends? And were they close enough that Schulz might have dared to diss Alvin, or that Links might have dared to kid Schulz in her strip? From a TV interview with Marty Links posted below, here is a short excerpt in which Links mentions her friendship with Schulz and expresses her admiration for his work:
JAMES DAY: Do cartoonists get together at all?
MARTY LINKS: Well, yes, I know Sparky Schulz very well; he’s a very good friend of mine.[…] When I’m with Sparky, and I see his work,[…] I’m so lost in admiration, I guess of his genius, that I just stand there and not even think of cartooning; in reference to myself, I’m just admiring the works.
So who knows? The real Mr. Schulz might actually have told his friend Marty Links that he didn’t like Alvin; he certainly didn’t hesitate to comment to his cartoonist-friend Lynn Johnston about developments in her strip For Better or For Worse.
Not that it matters. Because even if Schulz didn’t say a word to Links about Alvin, Links’s/Alvin’s reference to “our art teacher Mr. Schulz” remains a nod to the genius cartoonist Mr. Schulz, I think.
Of course, the irony is that, after having spent the entire evening reassuring Alvin that everyone, including Mr. Schulz, really does like him, Emmy Lou herself finally loses patience with Alvin’s relentless self-pity:
EMMY LOU: Haven’t you forgotten the most important person of all, Alvin?
ALVIN: Who is that, Emmy Lou?
EMMY LOU: It’s me! I can stand you!”
Unfortunately, the copyright information that was glued to the art that I now own is partially missing, so I don’t know if Marty Links’s tribute to Schulz occurred before or after Schulz’s tribute to Links/Arguello.
BONUS VIDEO:
Here’s a charming interview with Marty Links that was taped on 05/08/75 for the public-television series Day at Night:
BONUS LINKS:
- Hairy Green Eyeball 2 > Emmy Lou and Sweetie Pie – includes twenty-five one-panel strips scanned from the collection More Bobby Sox: The Life and Times of Emmy Lou.
- Hairy Green Eyeball 2 > Bobby Sox by Marty Links – twenty-six more one-panel strips scanned from the collection More Bobby Sox: The Life and Times of Emmy Lou.
- John K. Stuff > Bobby Sox By Marty Links – eleven one-panel strips scanned from the collection More Bobby Sox: The Life and Times of Emmy Lou.
- Stripper’s Guide > News of Yore: Marty Links Tells Her Own Story – transcribed from The Cartoonist, (Summer 1957).
- Fantagraphics Books > The Complete Peanuts 1963-1964
Out of Context: “His name is Jonathan Clemm!”

Look Here: A “fantasy classic” with cover art by Jeffrey Jones
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Well, folks, I’m almost to the end of my collection of paperbacks with cover art by Jeffrey Jones. Of course, I’m always on the lookout for books that I don’t have, but since I can’t afford to pay what many online booksellers want for old paperbacks, I generally have to hope that I will stumble upon what I want for cheap at a thrift store, rummage sale, small-town bookstore, or what have you…
Wish me luck!
Look There: Lupevision
Look Here, Read: IDYL (Nov. 1975) by Jeffrey Jones
A few months ago, I picked up a couple of “bales” of National Lampoon Magazine — thirty-two issues, in all — from a local bookseller for cheap. It was only when I got home with my bales and cut the strings that I found out that all but one of the issues were from the 1980s and 1990s, which was okay because, at the very least, it gave me quite a few terrific comic strips by M. K. Brown, R. Crumb, Shary Flenniken, Rick Geary, Buddy Hickerson, Mark Marek, Rodrigues, Gahan Wilson, et al., to read. The lone exception, however, was an issue from November 1975, which — o lucky me! — includes the second-last Idyl strip by Jeffrey Jones that ever appeared in the magazine.
Now, if all you’ve seen are reprints of Idyl, you might be interested to know that the strip first appeared in a newsprint section of the Lampoon called “Funny Pages” and that, in the November 1975 issue, all of the strips in the “Funny Pages,” including Idyl, were overprinted in light blue with only the word balloons left uncoloured. To give you an idea of the sombre, twilight mood that the blue colour lends to Jones’s strip — which begins with the words, “It’ll be dark soon” — I present to you the following scan:
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The effect is so appropriate to the theme of the strip that one can’t help but wonder if the art director didn’t choose the colour specifically to complement Jones’s work…
“Idyl was intended as satire and whimsy. One art director and one editor, who met me each month with puzzled faces, continued to remind me that National Lampoon was a humor magazine, ‘As long as YOU laugh,’ they finally said. So each month I would go in laughing. I also must admit that I love to draw nude women.”
— Jeffrey Jones, interview, 2001
RELATED LINKS:
Look Here: Three colourful covers by Kelly Freas
More cover scans of books in my personal library:
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Comment deletion policy…
Moved to permanent location here.
Heads Up: Corben Art Sale, 27 April 2013
On Saturday 27 April 2013, thirty pages of original art by Richard Corben will be available for purchase via the Sales page on the official Richard Corben website.
The sale will include 1) all eight pages of Corben and Lovecraft’s “A Memory,” first published in Haunt of Horror: Lovecraft #1 (2008), 2) all eight pages of Corben and Stenstrum’s “Unprovoked Attack on a Hilton Hotel,” first published in Creepy #73 (August 1975), 3) all eight black-and-white pages of the fourth instalment of Corben and Strnad’s Mutant World, first published (in colour) in 1984 Magazine #4 (October 1978), and 4) six other pages, including two Haunt of Horror: Lovecraft covers.
Small preview images of all of the artwork included in the sale are on display on the Corben website right now. Prices will be posted when the sale goes live Saturday 27 April 2013 at 12:00 noon CST, and after that, whoever completes the PayPal cart first will receive the art.
The last time Mutant World pages were up for sale via the Corben website, they were sold by auction, with the bids being submitted via email over the course of a week (if memory serves); this time, however, all of the pages will be individually priced.
Previous Corben art sales have sold out quickly, so good luck to everyone who hopes to obtain a page next weekend.
Out of Context: “I expect better hospitality from you!”















