Art Collection · Barry Windsor-Smith · Christopher Marlowe · Finn Matthews · Mahendra Singh · Tamburlaine

Look Here: Art by Finn Matthews

In early May of this year, I approached Canadian illustrator Finn Matthews with an idea for a commission. Finn is currently working with writer Mahendra Singh, who is an excellent illustrator in his own right, on an ambitious graphic novel, Tamburlaine: The Scourge of God, that seeks to transmute Christopher Marlowe’s Tamburlaine the Great (Part I & Part II) into Space Opera. My idea was to have Finn draw a scene from Tamburlaine that he had not yet tackled, but to do so in a way that would combine his love of Marlowe’s play and his existing Druillet-inspired designs with ideas and motifs from works by Gustave Moreau, Barry Windsor-Smith, and others — some old favourites of mine, basically — and on Friday of last week, I received via Canada Post the completed page, which is absolutely stunning. I think it’s fair to say that Finn and I both had a blast working together to shape the final art, and I thought it might be fun and instructive to display it here at RCN along with some of the images that the page references.

ABOVE: The completed page on 11 x 14 inch Strathmore 500 Series plate-finish bristol.
ABOVE: Proposed cover for Tamburlaine: The Scourge of God, with art by Finn Matthews.
ABOVE: Page (in progress) from Tamburlaine: The Scourge of God by Mahendra Singh and Finn Matthews.
ABOVE: Character designs by Finn Matthews for Tamburlaine: The Scourge of God.
ABOVE: Here’s the relevant excerpt from Marlowe’s Tamburlaine. Finn was delighted with my choice, although I did express a preference for a shortened exchange, and that’s what made it into the commission (see original art).
ABOVE: Watercolour version of “The Apparition” by Gustave Moreau.
ABOVE: Page of original art by Barry Windsor-Smith from the Marvel comics adaptation of Robert E. Howard’s “Red Nails.”
ABOVE: The opening page from Roy Thomas and Barry Windsor-Smith’s “The Song of Red Sonja.”
ABOVE: Another page from “The Song of Red Sonja.”
ABOVE: Page from a story by Frank Thorne that features multiple Red Sonjas.
ABOVE: Thor page by Walt Simonson that displays his characteristic inking strategy of leaving a white border around figures when the background is black.
ABOVE: The framed commission.

While the choice of scene was mine, it was entirely Finn’s idea to break it down into a three-panel sequence, complete with balloons featuring the precise subsection of the dialogue between the First Virgin and Tamburlaine that I had mentioned in conversation that I like best, which was a cool surprise. (When I first contacted Finn, I had thought that I was commissioning an inked drawing, not a fully formed comics page, which I think anyone would view as a significant upgrade, but let’s just say that, as the process unfolded, we both got a bit carried away.) The term “XenoBramic” in the opening word balloon is an addition to Marlowe that may or may not appear in Tamburlaine: The Scourge of God, which, when it is published, will be Finn’s first professional credit in comics. Follow Finn on Twitter and/or Instagram for updates on the progress of his and Mahendra’s graphic novel. And publishers: there are still opportunities for a few brave souls worldwide to join the crew of Tamburlaine’s corsair, the Maa-Durga, which is already prowling the space lanes for plunder and booty, so hup to it!

Barry Windsor-Smith · Connections · Illustration Art · Look Here

Connections: Gustave Doré and Barry Windsor-Smith

[CLICK IMAGES TO ENLARGE]


BONUS INFO:

In The Studio (Dragon’s Dream, 1979), on pages 103 and 104, Barry Windsor-Smith provides a brief account of the genesis of Whithering:

“In the spring of 1975 I was working on a pen and ink drawing of trees, just trees. It was inspired, in part, by a wonderful painting of old Hampstead Heath by John Constable. At that time I didn’t think my audience was ready for — or let’s say interested in — a new work by me that was ‘just trees.’ Constable himself had a witticism about painting some of his pictures with ‘eye salve.’ What he meant was that he would make a picture as commercial as possible if he needed to sell it. As I wanted the fantasy market to see my tree drawing, I took a tip from Constable and applied a little ‘fantastic eye balm’: right in the middle of the picture I drew a shrouded figure of Death — a skull-headed man — and off in the distance a dark, foreboding mansion. This made the trees seemingly incidental. I called it Whithering (p. 110)… a deliberate non sequitur.” […]

“One night I got a frenzied call from an associate in London. He’d just shown a reproduction of the picture to a much respected fellow artist whom I’d never met, and whom my associate had only just met. Over the crackling transatlantic line I heard him say, ‘Hey! Guess what!… I just showed Whithering to so-and-so and guess what he said, — ‘Ahh, Constable; those trees. Barry just stuck that dead bloke in there so he could get away with drawing trees, didn’t he’?… He knew! There were a few cackles of laughter and then he hung up; that was the end of the call. I was suffering from insomnia at the time, I recall I slept that night and glowed the next day.”

Does Windsor-Smith’s reminiscence rule out the influence of Doré’s composition on Whithering? I don’t think so, but if you check out the comments section of this post, you’ll find a reader who disagrees with me.


BONUS IMAGES:

Three paintings of “Hampstead Heath” by John Constable:

Barry Windsor-Smith · Comics · Look There

Look There: Barry Windsor-Smith’s “Cimmeria” (1973 – 2010)

[CLICK IMAGE TO VISIT SUGGESTED WEB SITE]

BONUS LINKS:

The Bronze Age of Blogs: “Cimmeria,” poem by Robert E. Howard, art by Barry [Windsor-]Smith and Tim Conrad, Savage Sword of Conan #24 (November 1977).

Barry Windsor-Smith Unofficial Blog: “Cimmeria,” poem by Robert E. Howard, art (in pencil) by Barry [Windsor-]Smith, Savage Tales #2 (October 1973).

Barry Windsor-Smith · Heads Up! · Here, Read · Interviews · Jim Steranko · Look Here

Look Here, Read: An interview with BWS from 1978

From a 33-year-old catalogue of “original art for sale” entitled Cartoonists and Illustrator’s Portfolio Volume Three (Wyomissing, PA: Supergraphics, 1978), here’s a short interview with Barry Windsor-Smith, conducted by the catalogue’s publisher, James Steranko:

[CLICK IMAGES TO ENLARGE]

As I’ve noted previously on this blog, BWS has a new print available for purchase from Glimmer Graphics. Also, just to give you a little heads up, I should note that 2011 will see the re-publication, in hardcover, of X-Men: Lifedeath.

As of today at Amazon.ca, here are the details:

X-Men: Lifedeath [Hardcover]

Arnold Drake (Author), Chris Claremont (Author), Barry Windsor-Smith (Illustrator)

List Price: CDN$ 27.99
Price: CDN$ 17.55 & eligible for FREE Super Saver Shipping on orders over CDN$ 25.
You Save: CDN$ 10.44

# Hardcover: 152 pages
# Publisher: Marvel (July 20 2011)
# Language: English
# ISBN-10: 0785155244
# ISBN-13: 978-0785155249

Product Description

Revolutionary artist Barry Windsor-Smith takes on the Uncanny X-Men! The original X-Men go toe-to-toe against Blastaar, deadly menace from the Negative Zone! Storm and Forge find themselves trapped on a primitive paradise world with no hope of escape! Spiral and Lady Deathstrike target Wolverine for death! And Dazzler is hunted by the Marauders, with only the X-Men to save her!

“Arnold Drake (Author)”? Funny, I bought the LifeDeath comics, back in the day, and I don’t remember that at all… but anyway, it’ll be nice to have the work on my bookshelf in hardcover form… I just hope they don’t screw up the colour too badly…