

Yes, I am familiar with the work of Clarence Coles Phillips. In fact, a book about Phillips and his work was published in 2019. Lovely!

"This day's experience, set in order, none of it left ragged or lying about, all of it gathered in like treasure and finished with, set aside." –Alice Munro, "What is Remembered"
Yes, I am familiar with the work of Clarence Coles Phillips. In fact, a book about Phillips and his work was published in 2019. Lovely!
BONUS IMAGE:
ABOVE: Karl Edward Wagner, Dark Crusade (NY: Warner Books, 1983), with cover art by Frank Frazetta.
What interests me about these juxtapositions is not merely Achilleos’s obvious debt to Frazetta but that each of the artists revised his original composition after first publication. Whether the compositions are better or worse now, you can decide for yourself. In both instances, however, the changes were probably driven by what I like to call “the tyranny of second thoughts.” That is, once one gets it into one’s head that improvements are possible, it is damned difficult to resist sacrificing what one has for the promise of something better.
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Dig the fancy bladework of the attacker in Maren’s painting!
BONUS IMAGES:
Old news, I know… but anyway… it’s the style that’s important here:
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An homage done the right way by Sienkiewicz!
(If you know of a closer match, please feel free to post a link in the comments. I don’t have time to search… )
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BONUS IMAGE (added 21 January 2016):
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Stumbling around on tumblr today, I came across an uncredited image that reminded me of something I had seen before…
If anyone recognizes that photo and can tell me when and where it was published, I’d love to hear from you. And if you have a copy of the publication and could supply me with a better scan, well, that’d be just peachy.
UPDATE (22 June 2015):
Thanks to the inspired efforts of an anonymous reader (see the comments section below), we now have the precise context for Jones’s “reference photo” posted above. The source is a photo layout titled “Secrets From My Diary,” shot by J. Frederick Smith, for the December 1973 issue of VIVA (vol. 1, no. 3). And thanks to the efforts of fans on the VFILES site, we can view the photo in the context of the original NSFW article/layout:
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The scans are small, yes, even if you click to enlarge them, but the information is much appreciated. Thanks, hsc!
Earlier this morning over at my tumblr, TRANSISTORADIO, I posted scans of seven vibrant, sexy album covers created by designers and photographers whose names are unknown to me for Audio Fidelity recordings released from 1956 to 1960. On tumblr, I generally prefer to post one image at a time, but I thought people here might like to view my selections all together, in a single post:
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ABOVE: Marimba Chiapas, Marimba Mambo Y Cha-Cha-Cha! (1959), AFLP 1802. Via TRANSISTORADIO.
ABOVE: Pedro Garcia and his Del Prado Orchestra, Cha Cha Cha (1956), AFLP 1810. Via TRANSISTORADIO.
ABOVE: Memo Salamanca and his Cha Cha Orchestra, Cha, Cha, Cha, Vol. 2 (1956), AFLP 1813. Via TRANSISTORADIO.
ABOVE: Rafael Molero, Alberto Salicru, Esperanza La Macarena, and Paco De Jaen, Fiesta en Espana (1957), AFLP 1819. Via TRANSISTORADIO.
ABOVE: Juerga Flamenca [Fiesta Flamenca] (1958), AFLP 1852. Via TRANSISTORADIO.
ABOVE: Marimba Chiapas, Cha Cha Cha, vol. 4 (1959), AFLP 1900. Via TRANSISTORADIO.
ABOVE: Mohammed El-Bakkar and his Oriental Ensemble, Dances of Port Said (1960), AFLP 1922. Via TRANSISTORADIO.
I originally copied the above scans from links posted on this page at the Syracuse University Libraries website. Well done, SUL!