"This day's experience, set in order, none of it left ragged or lying about, all of it gathered in like treasure and finished with, set aside." –Alice Munro, "What is Remembered"
I posted JPEGs of Milton Glaser’s Angel Alley cover, poster, and artwork, back on 29 January 2013, and now, more than a year later, I have noticed a familiar figure in the foreground of Giulio Aristide Sartorio’s Diana of Ephesus and the Slaves (1895-1899):
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ABOVE: Giulio Aristide Sartorio, Diana of Ephesus and the Slaves (1895-1899), oil on canvas, 421 x 304 cm. Collection of Galleria Nazionale d’Arte Moderna, Rome, Italy. Via TRANSISTORADIO.
ABOVE: Milton Glaser, original art for the cover of the LP Angel Alley (1978) by Linda Cohen.
From Real Clue Crime Stories, vol. 6, no. 7 (September 1951), here’s “The Touch of Gentle George,” with pencils and inks by the great Bernie Krigstein and script by the great unknown; the scans are from the Digital Comics Museum, an amazing online archive of free public domain Golden Age Comics, but I’ve made a number of adjustments to the levels, saturation, and size of the JPEGs, and although the resulting images are far from perfect, the DCM originals are simply far too large to post here:
From the portfolio “Les 7 Périls Spectraux” (Paris: Galerie Les Pas Perdus, 1950), here are scans of seven colour lithographs by the under-appreciated American surrealist painter, printmaker, sculptor, and writer, Dorothea Tanning (1910-2012); the lithographs themselves are tucked safely away in the collection of the Smithsonian American Art Museum in Washington, DC:
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To learn more about Dorothea Tanning, who died in New York City on 31 January 2012 at the age of 101, you would do well to begin with a visit to the artist’s website, which is maintained by The Dorothea Tanning Foundation “as an introduction and tribute to Dorothea Tanning’s extraordinary life and work as both a visual artist and a poet.”
Took me a while to find a nice, cheap copy of Fritz Leiber’s Conjure Wife with “Woman fleeing from…” cover art by Jeffrey Jones, but in the summer of 2013 I got lucky… and now that I’ve finally gotten around to scanning it, I can show you what it looks like:
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ABOVE: Fritz Leiber, Conjure Wife (NY: Award Books, 1974), with cover art by Jeffrey Jones.
I purchased the following Scholastic editions of three novels by Jules Verne at a community book sale last summer, and I still like the look of them, although, quite frankly, Scholastic also scores points, big time, with me for proudly displaying a credit for the cover artist on each novel’s title page. There oughta be a law, I tells ya!
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ABOVE: Jules Verne, Around the World in Eighty Days (NY: Scholastic, 1964), with cover art by Paul Granger.ABOVE: Jules Verne, Around the World in Eighty Days (NY: Scholastic, 1964), with cover art by Paul Granger.ABOVE: Jules Verne, The Mysterious Island (NY: Scholastic, 1965), with cover art by Dom Lupo.ABOVE: Jules Verne, The Mysterious Island (NY: Scholastic, 1965), with cover art by Dom Lupo.ABOVE: Jules Verne, A Journey to the Center of the Earth (NY: Scholastic, 1966), with cover art by Mort Künstler.ABOVE: Jules Verne, A Journey to the Center of the Earth (NY: Scholastic, 1966), with cover art by Mort Künstler.
Keywords:Around the World in Eighty Days, A Journey to the Center of the Earth, The Mysterious Island, Jules Verne, Paul Granger, Mort Künstler, Dom Lupo.
ABOVE: Robert A. Heinlein, The Unpleasant Profession of Jonathan Hoag (London: New English Library, 1980), with cover art by Peter Gudynass.
Larry Niven, Neutron Star (NY: Ballantine Books, 1971), with cover art by Michael McInnerney.
ABOVE: Keith Laumer, The Best of Keith Laumer (NY: Pocket Books, 1976), with cover art by Carlos Ochagavia.
BONUS IMAGE:
ABOVE: René Magritte, The King’s Museum (1966), oil on canvas, 89 x 130 cm. Via TRANSISTORADIO.
Keywords: Neutron Star by Larry Niven, Michael McInnerney, The Best of Keith Laumer, Carlos Ochagavia, The Unpleasant Profession of Jonathan Hoag by Robert A. Heinlein, Peter Gudynass.
The sale will include ten pages from Mutant World by Strnad and Corben, eleven pages from Cage #1 by Azzarello and Corben, and all ten pages of “The Lamp,” adapted from Lovecraft by Corben and published in Haunt of Horror: Lovecraft.
All pages are drawn in Sharpie pens and Pigma pens on 11 x 17 inch Strathmore paper.
Scans of the pages are on the Corben website now for “viewing only.” Prices will be posted when the sale goes live, at which point the first person to complete the PayPal shopping cart for each page will receive that page.
I posted two of the Runestaff covers displayed below back in October 2013, but the other two are freshly scanned from old paperbacks that I purchased yesterday at a 60% discount from a local used bookstore that is closing its doors for good at the end of the month:
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ABOVE: Michael Moorcock, The Jewel in the Skull (Frogmore: Mayflower, 1973), with cover art by Bob Haberfield.
ABOVE: Michael Moorcock, The Mad God’s Amulet (Frogmore: Mayflower, 1974), with cover art by Bob Haberfield.
ABOVE: Michael Moorcock, The Sword of the Dawn (Frogmore: Mayflower, 1975), with cover art by Bob Haberfield.
ABOVE: Michael Moorcock, The Runestaff (Frogmore: Mayflower, 1975), with cover art by Bob Haberfield.
Keywords:The Jewel in the Skull, The Mad God’s Amulet, The Sword of the Dawn, The Runestaff, Michael Moorcock, Bob Haberfield.