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To view all of the books and magazines with cover art by Jeffrey Jones that I’ve posted so far, click here.
"This day's experience, set in order, none of it left ragged or lying about, all of it gathered in like treasure and finished with, set aside." –Alice Munro, "What is Remembered"
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To view all of the books and magazines with cover art by Jeffrey Jones that I’ve posted so far, click here.
From my own library:
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To view all of the paperbacks with cover art by Richard Powers that I’ve posted so far, click here.
Here’s yet another recent addition to our art collection; it’s a signed original page from the fourth issue of James Stokoe’s Orc Stain (July 2010). I’ve included a scan of the full-colour published version of the page for comparison. Sorry the bottom corner of my photo of the original art is a bit out of focus. I’ll try to do better next time.
Pages from James Stokoe’s Orc Stain can be purchased online from McConnell Art.
In May of this year, my wife and I purchased the following page from the graphic novel, Paris, by writer Andi Watson and artist Simon Gane (SLG Publishing, 2007), at a very reasonable price, via Simon Gane’s online art store:
BONUS LINK:
The Comics Reporter > CR Holiday Interview #3: Simon Gane — posted 17 December 2007 by interviewer Tom Spurgeon.
My wife and I already own two “Miss Peach” daily strips by Mell Lazarus. And now we own a third, courtesy of ebay:
Funny thing is, even though we bought the above strip from a different seller than the other two, and we had to outbid another person to get it — it wasn’t a “Buy It Now” listing — the final price, shipping included, came to US$55.00 even, almost exactly what we paid for each of the other two strips.
Not sure we’ll buy many more “Miss Peach” dailies after this, but I’d sure love to own a Sunday strip or two.
BONUS CONTENT:
Mell “The Ladies’ Man” Lazarus visits the Sun-Times public service lounge on 09 April 1962:
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First up, from Midnight Tales volume 3, number 9 (October 1974), here’s “The Night of the Demon,” with script by Nick Cuti and art by Tom Sutton:
And next, from Midnight Tales volume 3, number 10 (December 1974), here’s “The Strange Mr. Milque,” with script by Nick Cuti and art by Tom Sutton:
BONUS LINK:
Look Here, Read: Two MIDNIGHT TALES by Nick Cuti and Tom Sutton
Yesterday afternoon, I spent a little time reading at random in Painting Techniques of the Masters: Painting Lessons from the Great Masters (revised and enlarged edition) by Hereward Lester Cooke, and came across a famous portrait by Titian that, to my eye and mind, could easily have been one of the inspirations for Jeffrey Jones’s oddly proportioned but striking portrait of Robert E. Howard’s Solomon Kane, created for the first edition of a collection of Solomon Kane short stories, Red Shadows, published by Donald M. Grant in 1968:
As the night wind said to the little lamb: Do you see what I see?
POSTSCRIPT:
I wonder, does anyone else think that Jones’s portrait of Solomon Kane is basically a self-portrait? Because I sure do.
First up, from Midnight Tales volume 3, number 7 (June 1974), here’s “Goo,” with script by Nick Cuti and art by Tom Sutton:
And next, from Midnight Tales volume 3, number 8 (July 1974), here’s “The Kilgore Monster,” with script by Nick Cuti and art by Tom Sutton:
To view a cover and a couple of stories with art by Tom Sutton that I posted back on 05 May 2011, click here.
UPDATE (30 June 2011):
Look Here, Read: Two more MIDNIGHT TALES by Nick Cuti and Tom Sutton
Corben’s unique method of producing full-colour art by combining a continuous-tone black-and-white grisaille (produced using airbrush, pen and ink, markers, pencil crayons, brushes and paint, etc.) with overlaid, handmade colour separations, gave his finished work a luminosity, intensity, and above all, a texture, that artists who relied on airbrush alone struggled to imitate; it also meant that all of the images produced via Corben’s process — including not only many classic covers but also entire graphic novels such as New Tales of the Arabian Nights, the multi-volume Den saga, and the Heavy Metal reprint of Bloodstar — only exist in colour in the printed versions. The cover of 1984 #1 is a case in point:
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