Book/Magazine Covers (All) · Comics · Comics (Jones) · Here, Read · Idyl · Illustration Art · Jeffrey "Jeff" Catherine Jones · Look Here

Look Here, Read: IDYL (Nov. 1975) by Jeffrey Jones

A few months ago, I picked up a couple of “bales” of National Lampoon Magazine — thirty-two issues, in all — from a local bookseller for cheap. It was only when I got home with my bales and cut the strings that I found out that all but one of the issues were from the 1980s and 1990s, which was okay because, at the very least, it gave me quite a few terrific comic strips by M. K. Brown, R. Crumb, Shary Flenniken, Rick Geary, Buddy Hickerson, Mark Marek, Rodrigues, Gahan Wilson, et al., to read. The lone exception, however, was an issue from November 1975, which — o lucky me! — includes the second-last Idyl strip by Jeffrey Jones that ever appeared in the magazine.

Now, if all you’ve seen are reprints of Idyl, you might be interested to know that the strip first appeared in a newsprint section of the Lampoon called “Funny Pages” and that, in the November 1975 issue, all of the strips in the “Funny Pages,” including Idyl, were overprinted in light blue with only the word balloons left uncoloured. To give you an idea of the sombre, twilight mood that the blue colour lends to Jones’s strip — which begins with the words, “It’ll be dark soon” — I present to you the following scan:

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The effect is so appropriate to the theme of the strip that one can’t help but wonder if the art director didn’t choose the colour specifically to complement Jones’s work…


Idyl was intended as satire and whimsy. One art director and one editor, who met me each month with puzzled faces, continued to remind me that National Lampoon was a humor magazine, ‘As long as YOU laugh,’ they finally said. So each month I would go in laughing. I also must admit that I love to draw nude women.”
— Jeffrey Jones, interview, 2001


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Dean Ellis · Look Here

Look Here: Three SF covers with art by Dean Ellis

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The art on the covers of Judgment on Janus and Eye of the Monster is uncredited, and no signatures are visible, but as luck would have it, Judgment on Janus is identified as a painting by Dean Ellis on this page at The Illustration Exchange: Science Fiction and Fantasy Art Collectors’ Site, and Eye of the Monster is clearly by the same hand, though if you had told me that the Norton covers were painted by Paul Lehr circa 1980, I likely would have struggled to provide stylistic or technical reasons to reject the attribution. If Ellis in such paintings was actually trying to copy Lehr’s style circa 1970 — which, given Lehr’s reputation and success in SF circles, is by no means out of the question — he erred on the side of a type of over-simplification that Lehr himself often flirted with but did not fully embrace until a decade later.

Truth be told, I don’t really like Ellis’s technique here — or Lehr’s technique circa 1980. It’s too stripped down. The paint is boring. Yes, it’s precisely and decisively applied, but it lacks subtlety, depth… mystery…

Keywords: Judgment on Janus, Eye of the Monster, Space Skimmer.

Art Collection · Look Here

Look Here: Five tiny creatures by Aeron Alfrey

Back in 2006, I purchased five small creature sketches drawn in fine-line marker on card stock by digital artist, illustrator, comicker, and blogger Aeron Alfrey. As I recall, Alfrey’s goal at the time was to draw and sell a thousand sketches and to integrate the creatures in those sketches into his “Hob Bob” comics. Here are the creatures that I selected (numbers 207, 208, 210, 226, and 281, respectively):

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Aeron Alfrey’s Web of Sights:

Book/Magazine Covers (All) · Davis Meltzer · Illustration Art · Look Here

Look Here: Two Mack Reynolds novels with bold cover art by Davis Meltzer

More crumbling paperbacks from the collection of yours truly, this time with cover art by an illustrator I know nothing about except that he definitely produced one of the following covers, the one that is uncredited but signed, and probably produced the other one, which is uncredited and unsigned — the signature has likely been cropped out — but which stylistic and contextual evidence suggests is also by him:

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Keywords: Equality: In the Year 2000, The Five Way Secret Agent and Mercenary from Tomorrow.

Book/Magazine Covers (All) · Carmine Infantino · Illustration Art · Look Here

Rest in Peace: Carmine Infantino (24 May 1925 – 04 April 2013)

The great comics artist, designer, editor, and publisher, Carmine Infantino, died earlier today at age 87.

In tribute to the master, I’ve assembled a small gallery of scans, displayed below, that includes several comic covers from the 1950s, pencilled by Infantino and finished by various inkers, including Sy Barry and Bob Lander, along with one cover from 1964, inked by Murphy Anderson, and a couple of pages of original art from Vampirella #59, inked by Alex Nino:

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“You know, the most important thing about my artwork: It never matured. Because just before it reached maturity, I stopped and became an editor. Because a good friend of mine once said to me, ‘Why don’t you ever talk about your artwork? Why don’t you have any around your apartment?’ And the answer is very simple: My artwork to me is like an unfinished symphony, a painting that has never been completely done, a baby that never was produced… You understand what I’m saying?”
— Carmine Infantino, in conversation with Gary Groth, The Comics Journal #191.


BONUS IMAGES (added 05 April 2013):

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