Al Williamson · Archie Goodwin · Comics · Connections · Here, Read · Jeffrey "Jeff" Catherine Jones · Look Here · Sculpture (Jones)

Look Here, Read: “Relic” by Archie Goodwin and Al Williamson

This story from Epic Illustrated #27 (December 1984) not only is “dedicated to the memory of Roy G. Krenkel” but also includes a lovely tribute to Jeffrey Jones, whose girl sculpture — according to comic-book creator, film-maker, and friend of Al Williamson, Kevin VanHook — sat behind Williamson at his drawing board around the time the story was created.

It is also interesting to note that Williamson based the character of Kirth on British actor Stewart Granger (1913 – 1993). Williamson has made Kirth’s nose somwhat shorter and more rounded than Granger’s, but Granger is definitely Williamson’s model here. Enjoy!

Comics (Jones) · Idyl · Jeffrey "Jeff" Catherine Jones · Look There

Look There: “Idyl” by Jeffrey Jones

I’ve posted a few Idyl strips on this blog in the past, along with one scan of an Idyl original, but here’s your chance to read all 44 Idyl strips (45 pages, total) included in the Dragon’s Dream collection from 1979 (after you click the link, scroll to the bottom of the page). And if you read Spanish (I don’t, and the Google translation leaves a lot to be desired), you’ll also be able (fully, completely) to enjoy a heavily illustrated overview of Jones’s career as one of “those who fled comics.”

THAT LINK AGAIN, IN CASE YOU MISSED IT

And here’s an important tip for you: to bypass the image viewer and open the larger files in Firefox, hold Ctrl down as you left click each image.

And please note, if you haven’t already, that you can read all of the “I’m Age” strips from Heavy Metal right here.

Comics · Comics (Jones) · Connections · Idyl · Jeffrey "Jeff" Catherine Jones

Connections: Jeffrey Jones vs. Esteban Maroto, again

The first page here is by Esteban Maroto. It is from a story called “Idi and Me,” written by Bill DuBay, that first appeared in issue #4 of the Warren magazine, 1984, way back in 1978. And though the script is junk, it’s an attractive page. Only problem is, all of the female figures are very clearly swiped from Jeffrey Jones’s celebrated comic strip, Idyl, which ran in National Lampoon from 1972 to 1975. See below for the ocular proof:

For those who haven’t read 1984 #4, which would be almost everyone, the woman in the DuBay-penned “Idi and Me” is the brutal dictator, Idi Amin, whose chromosomes have been jumbled, just for laughs, by the American “Department of Dirty Tricks” (DDT), thereby turning “the former gorilla-faced leader of Uganda into this heavenly image of white Anglo-Saxon femininity,” Idi, who nonetheless retains a male psychology and sex drive and is thus seeking an operation to change back into a man. (And the final line/moral of the story? “I guess no matter what form you’re in… the world just isn’t ready for Idi Amin!”) All of which seems very odd, given Jeffrey Catherine Jones’s own difficult journey; however, the story did appear way back in 1978, as I noted above, which is about 20 years, more or less, before Jones decided to take definite steps become a woman. So what’s going on here? Seems most likely to me that it’s just a coincidence — though if it isn’t, if DuBay is taking a shot at Jones’s sexuality based on industry rumours, private confidences, or whatever, it’s an incredibly crude commentary! I mean, why would DuBay have done it, and why on earth would Maroto have participated? It doesn’t make sense to me, though, of course, even if the sex-change theme is a coincidence, it doesn’t mean that the story of Idi wasn’t intended, in part, as a parody of Jones’s Idyl. That would certainly explain the blatant swipes, except that Maroto has swiped from Jones (and others) before. So maybe the simple answer is that Jones’s work on Idyl was so skillful, so sensitive, so gorgeous, and — perhaps it seemed to Maroto — so obscure, that it was ripe for the swiping… or not… because the fact is, I’m not sure what to think…

Anyone have any ideas?

Documentaries · Jeffrey "Jeff" Catherine Jones · Look There

Look There: Jeffrey Jones Documentary in the Works

Here’s a rough-cut trailer featuring parts of Michael Kaluta’s interview for Better Things: Life + Choices of Jeffrey Jones:


BONUS LINK:

Wrightson’s fascinating unpublished layouts for his section of The Studio (Dragon’s Dream, 1979) — added 03 May 2010, because it sort of relates to the conversation in the comments section of this post.

Book/Magazine Covers (All) · Book/Magazine Covers (Jones) · Illustration Art · Jeffrey "Jeff" Catherine Jones · Look Here

Look Here: Two (more) covers by Jeffrey Jones

Human figures dwarfed by the universe, blue/green-and-gold/orange colour schemes… I wonder… is Jeffrey Jones edging into Paul Lehr territory in the following covers? I think so!

Click here to view all of the covers by Jeffrey Jones that I’ve posted so far.

Keywords: Seetee Ship, Strangers in Paradise.

Heads Up! · Illustration Art · Jeffrey "Jeff" Catherine Jones · Prints (Jones)

Heads Up: Two vintage posters by Jeffrey Jones available now on Ebay

Just a friendly note to let fans of Jeffrey Jones know that ebay seller intergalactic (Positive Feedback: 99.8%) has multiple copies of two vintage posters by Jeffrey Jones on sale right now: Chastity (9 available, as of today, for the “Buy It Now” price of US$10.95 each plus shipping) and Sleep (10 available, as of today, for the “Buy it Now” price of US$12.95 each plus shipping). I myself purchased one copy of each poster a short time ago, and was impressed both by the service and by the quality of the merchandise, though please keep in mind, if you decide to follow my lead, you buy at your own risk.

Comics · Comics (Jones) · Here, Read · Jeffrey "Jeff" Catherine Jones · Look Here · Look There

Look There, and Here: “Harry” by Jeffrey Jones

Over at Atomic Surgery, blogger Staq Mavlen has posted scans of Jeffrey Jones’s short story, “Harry,” from Vampirella #85, in crisp black and white. What Mavlen doesn’t mention is that “Harry” was originally published in Vampirella #32, with day-glo colours by none other than Richard Corben! To compare the two versions, simply click here to read the black-and-white reprint and scroll down on this page to read the original colour publication:

Anyone prefer the colour version?