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Click here to view all of the covers with art by Richard Powers that I’ve posted so far.
"This day's experience, set in order, none of it left ragged or lying about, all of it gathered in like treasure and finished with, set aside." –Alice Munro, "What is Remembered"
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Click here to view all of the covers with art by Richard Powers that I’ve posted so far.
From my personal collection of crumbling mass-market paperbacks:
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Click here to view all of the covers with art by Richard Powers that I’ve posted so far.
Notice the dates of the two comics. Kurtzman’s parody was first.
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Two studies in red conté along with the final painting, which was published in Epic Illustrated #30:
One of the main frustrations of the various books on the art of Jeffrey Jones is the lack of documentation regarding mediums, supports (e.g., masonite, mounted canvas, stretched canvas, whatever), sizes, dates, etc. Trouble is, Jones himself never kept proper records of his work, and his publishers apparently have not had the wherewithal to locate the works in order to fill in the gaps
I believe the oil painting is called The Puritan and was one of a series of paintings by Jones that were based on Robert E. Howard’s Solomon Kane.
I gave readers a “Heads Up” back on 25 July 2010, and now the regular hardcover edition of Jeffrey Jones: A Life in Art (IDW Publishing, 2011) — a 256-page collection of Jones’s “personal favourites” from a long and celebrated career — is available for purchase at a bookstore near you. I haven’t received my copy yet, but it should be here soon…
IMHO, all signs point to Frank Frazetta’s seductive Egyptian Queen (1969) as the “inspiration” for Simon Bisley’s comparatively coarse FAKK 2 illustration (1996):
From Heavy Metal, volume I, number 11 (Febrary 1978), here’s a wraparound cover, with a painting entitled “Teachings from an Unholy Book,” and a two-page spread of an ambitious painting, “The Burial of Death,” by visionary comics artist Alex Nino:
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From 1997, here’s Richard Corben’s original marker-on-vellum cover art for Aliens: Alchemy #1, along with scans of all three covers in the Alchemy mini-series:
I don’t have any dates for the drawings; however, the first pencil drawing below was likely a prelim for Jones’s well-known covers for Wonder Woman #199 and #200 (1972), while the second looks to me like it’s from much later in Jones’s career, perhaps around the time of the story I Bled the Sea.