Comics · Here, Read · Hilda Terry · Look Here

Look Here, Read: Nine single-panel comics by Hilda Terry

Apologies in advance for the poor quality of the images this time around: I scanned all nine of the single-panel comics by Hilda Terry displayed below — seven from 1942, two from 1945 — from printouts that I made from microfilm of back issues of The Saturday Evening Post. I’ve made some adjustments to my scans of the printouts to make them more readable, but they’re definitely a lot rougher than I’d like. And yet, I still think they’re well worth posting. Enjoy!

[CLICK IMAGES TO ENLARGE]

Publication information is in the file names. Looks like I forgot to record the day and month of the issue of The Saturday Evening Post from 1942 that included the comic with the caption, “We just came in for a glass of water!” I also neglected to record the page numbers. Sorry!

To see more energetic and attractive work by the wonderful Hilda Terry, start here.

Book/Magazine Covers (All) · Greeting Cards · Hilda Terry · Illustration Art · Look Here

Look Here: Five LIGHT AND FANTASTIC paperbacks with cover art by Hilda Terry

Light and Fantastic by Winifred Wolfe, with cover art by Hilda Terry (author of the underrated comic strip, Teena — see here, here, and here), is the second in-card novel that I’ve posted here at RCN. The first was Ask Any Girl by the same author, with cover art by the same artist. In that case, I posted four different covers; this time, I have five:

[CLICK IMAGES TO ENLARGE]

From my previous post, here’s what an “in-card” novel looks like with the various flaps folded out:

I wonder how many people ever actually tried to seal one of these up and send it…

Barry N. Malzberg · Book/Magazine Covers (All) · Charles Moll · Illustration Art · Look Here

Look Here: Four SF novels by Barry N. Malzberg with cover art by Charles Moll

From the library of yours truly:

[CLICK IMAGES TO ENLARGE]

I like to think that when Barry N. Malzberg first saw Charles Moll’s terrific cover art for the Pocket Books editions of his novels, he briefly felt hopeful about the future of his career in science fiction.

Keywords: Herovit’s World, Beyond Apollo, On a Planet Alien, The Sodom and Gomorrah Business.

Book/Magazine Covers (All) · Illustration Art · Look Here

Look Here: THE EAGLE AND THE WIND, with frothy cover art by the great unknown

Yep, you guessed it… another book from my paperback collection, freshly scanned and processed:

[CLICK IMAGE TO ENLARGE]

The artwork on the front and back cover of the Popular Library Eagle Books edition of The Eagle and the Wind (1954) by Herbert E. Stover is uncredited, no signature is visible in the paintings themselves, and I can find no information about the cover online. Nonetheless, I wouldn’t be surprised if the artist turned out to be Rafael De Soto. But I’m no expert. I mainly go by what I see.


BONUS IMAGE (12 May 2013):

As has been pointed out in the comments, Rafael De Soto’s original artwork for The Eagle and the Wind is currently available for purchase via All-Star Auctions. Here’s a link to the auction page. And here’s what the painting looks like framed:

[CLICK IMAGE TO ENLARGE]

From my comments below:

It’s cool to see an image of the actual painting — comparing the printed version with the framed version, I would say there is a good chance that the board was cut down at the top at some point after the image was published to enhance the composition sans text.

Comics · Here, Read · Look Here · Obituaries · Spain Rodriguez

Rest in Peace: Spain Rodriguez (22 March 1940 – 28 November 2012)

Underground comics trailblazer, Zap Comix stalwart, and graphic novelist, Spain Rodriguez, died at 7 AM this morning of cancer. He was 72.

Spain leaves behind a wife and daughter as well as numerous friends, colleagues, and fans, who will all mourn his passing.

Spain’s too-brief Wikipedia biography reads as follows:

Born in Buffalo, New York, Rodriguez studied at the Silvermine Guild Art School in New Caanan, Connecticut. In New York City, during the late 1960s, he became a contributor to the East Village Other, which published his own comics tabloid, Zodiac Mindwarp (1968).

A founder of the United Cartoon Workers of America, he contributed to numerous underground comics and also drew Salon’s continuing graphic story, The Dark Hotel.

Strongly influenced by 1950s EC comic book illustrator Wally Wood, Spain pushed Wood’s sharp, crisp black shadows and hard-edged black outlines into a more simplified, stylized direction. His work also extended the eroticism of Wood’s female characters. In such classics as Mean Bitch Thrills, Spain’s ladies were raunchy, explicitly sexual and sometimes incorporated macho sadomasochistic themes [sic].

His more recent work is an illustrated biography of Marxist revolutionary Ernesto “Che” Guevara, Che: A Graphic Biography (2009). Published in several different languages, it was described by comics artist Art Spiegelman as “brilliant and radical.”


“His [Spain’s] genuine belief in a kind of crazed left-wing revolution was really part of that Zeitgeist [that produced Zap Comix and other first-generation underground publications] and is presented with fervor and humour, and his work has a kind of synthesis of the stuff that he’d been growing up with, that first era of comic books that got burned and censored in the fifties as part of the cleanup of the medium, and Spain vehemently and courageously and continually refused to be cleaned up.”
Art Speigelman, in conversation with Colin Dabkowski,
The Gusto Blog at The Buffalo News, 28 November 2012


And now, in tribute to Spain, RCN is pleased to present (along with the images of Trashman that bookend this post) the artist’s two-page profile of Ukrainian anarcho-communist revolutionary, Nestor Makhno, as it appeared in Anarchy #1 way back in 1976:

[CLICK IMAGES TO ENLARGE]


“I don’t want to be a mainstream cartoonist. I don’t want to have to be a mouthpiece for what I consider unjust. I’ll do commercial work to make bread, but the great thing about doing underground comics is the fact that we can just say it as we see it.”
Spain Rodriguez, in conversation with Gary Groth,
The Comics Journal #204 (May 1998)


BONUS LINK:

Ragged Claws Network > Look Here, Read: “Binbo Johnnie” by Spain


MORE:

Ragged Claws Network > Look Here: “An Average Day on Mission Street” by Spain Rodriguez
Ragged Claws Network > Look Here, Read: “Stalin” by Spain Rodriguez


via


ESPECIALLY:

TCJ.com > Spain Rodriguez Fought the Good Fight by Patrick Rosenkranz. Here’s an excerpt:

Spain Rodriguez brought a unique perspective to comic art – a hard-edged outlaw’s attitude coupled with a voluptuous sensuality that also espoused class struggle and a universal quest for human dignity. His characters were die-hard individuals who ceaselessly fought the oppressor, powerful women who demanded respect – by force if necessary, and many of the real people who inhabited his life. He excelled at science fiction fantasy, gender warfare, heroic tall tales, and the dramatization of his own experiences. He also created many non-fiction works on historical figures and events, including Joseph Stalin, Che Guevara, and Lily Litvak, the Rose of Stalingrad. He was a genuine Marxist who fought fairly and with club spirit.

He had a lot of stories left to tell, he said in a recent interview for his autobiographical collection, Cruisin’ With the Hound [Fantagraphics, 2011].

“If I live long enough, I’ll do stuff about other periods, like here in San Francisco when I first got here and on the Lower East Side. They were replete with many adventures.”

Now it’s too late. Those stories went with him.


AND:

Susie Bright’s Journal > In Memory of Spain Rodriguez: March 22, 1940 – November 28th, 2012


“Spain’s my buddy, my old pal, one of my best friends. I’ve learned a lot from Spain. I greatly admire his artwork. He is such a strong, committed, communist, left-wing guy. I know I can always count on him to give me a clear, concise Marxist theory or reaction or viewpoint on whatever’s going on in the world, which I appreciate very much actually.”
Robert Crumb, “Crumb on Others, Part Two”


[CLICK IMAGE TO ENLARGE]