"This day's experience, set in order, none of it left ragged or lying about, all of it gathered in like treasure and finished with, set aside." –Alice Munro, "What is Remembered"
This morning, let us give thanks to the gods themselves for churches that organize used-book sales:
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ABOVE: Isaac Asimov, The Gods Themselves (New York: Fawcett, n.d.), with cover art by Charles Moll.
ABOVE: Poul Anderson, Virgin Planet (New York: Warner, 1973), with cover art by Charles Moll.
ABOVE: John Brunner, The Whole Man (New York: Ballantine, 1973), with cover art by Charles Moll.
ABOVE: Robert Silverberg, ed., New Dimensions III (Scarborough, ON: New American Library of Canada, 1974), with cover art by Charles Moll.
Keywords:New Dimensions III edited by Robert Silverberg, The Whole Man by John Brunner, The Gods Themselves by Isaac Asimov, Virgin Planet by Poul Anderson, Charles Moll.
I featured scans of four Malzberg novels with terrific cover art by Moll on 02 December 2012, and this is sort of a follow-up to that post. Although I’m not a huge fan of his work in general, Charles Moll has produced some very strong covers over the years for various fantasy and science fiction novels, along with many weak ones. Combined with the images in my previous post, the following covers, scanned by me from the old paperbacks in my personal library, should give you an good idea of Moll’s weaknesses and strengths as an image maker:
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ABOVE: David Mason, The Return of Kavin (New York: Lancer, 1972), with cover art by Charles Moll.
ABOVE: Poul Anderson, The Queen of Air and Darkness and Other Stories (Scarborough, ON: Signet, 1973), with cover art by Charles Moll.
ABOVE: Norman Spinrad, No Direction Home (New York: Pocket Books, 1975), with cover art by Charles Moll.
ABOVE: John Jakes, Brak the Barbarian (New York: Pocket Books, 1977), with cover art by Charles Moll.
Moll’s sombre, psychologically engaging surrealist cover art for Spinrad’s No Direction Home is the clear winner here. The other covers are nothing special, although Moll’s art for Brak the Barbarian (1977) gets points for featuring a pretty-boy protagonist who does not conform to reader expectations for a Conan-esque barbarian hero who lives “in the savage age of blood and barbarism.” It’s an interesting choice, though the sterile execution leaves much to be desired.
ABOVE: Barry N. Malzberg, Herovit’s World (New York: Pocket Books, 1974), with cover art by Charles Moll.
ABOVE: Barry N. Malzberg, Beyond Apollo (New York: Pocket Books, 1974), with cover art by Charles Moll.
ABOVE: Barry N. Malzberg, On a Planet Alien (New York: Pocket Books, 1974), with cover art by Charles Moll.
ABOVE: Barry N. Malzberg, The Sodom and Gomorrah Business (New York: Pocket Books, 1974), with cover art by Charles Moll.
I like to think that when Barry N. Malzberg first saw Charles Moll’s terrific cover art for the Pocket Books editions of his novels, he briefly felt hopeful about the future of his career in science fiction.
Keywords:Herovit’s World, Beyond Apollo, On a Planet Alien, The Sodom and Gomorrah Business.