Well… in all fairness, the two paintings posted below are different enough that I probably should have tossed this post into the “Connections” category. And you know what? I think I might have done so, if only Boas’s style here weren’t every bit as derivative as his concept…
[CLICK IMAGES TO ENLARGE]
Marcus Boas’s debt to Frazetta in the above painting is clear enough, I think; however, in terms of painting technique, colour sense, and model types, Boas owes an even bigger debt to Boris Vallejo circa 1980. Because the fact is, Boas’s Heroic Fantasy painting is pure pastiche. It has nothing original about it other than the poorly designed creatures whose misshapen wings are attached to their bodies by wishful thinking rather than by anatomy and the inevitable awkwardness that seems to emerge whenever a mediocre illustrator attempts to make changes to a composition he has cribbed from an acknowledged master.
Two covers by Boris Vallejo, scanned from the paperback library of yours truly:
As I recall, Boris’s un-Frazetta-like cover for Demon in the Mirror made a big impression on me as a teenager, and truth be told, it remains one of a handful of Boris’s covers that I quite like. In recent years, Boris has unfortunately transformed his fantasy art into a platform to indulge what can only be described as a personal fetish for the bodybuilder physique, both male and female. Notice, however, that no bodybuilders were recruited to pose and flex for either of the above covers — thank god!