Book/Magazine Covers (All) · Illustration Art · Jim Steranko

Look Here: A paperback and a “visual novel” with cover art by Steranko

I’ve seen a few fantasy and SF paperbacks with covers by James Steranko on the shelves at local bookstores and thrift shops over the years, but I’ve rarely bothered to buy any. Here’s a scan of one that I did buy:

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I also found a copy of Steranko’s 1976 “visual novel” Chandler priced at $3.99 at the local Value Village, so I bought that, too, and scanned the cover for display:

Enjoy!

Keywords: Police Your Planet, Chandler.

Book/Magazine Covers (All) · Connections · Gustav Klimt · Illustration Art · Jim Steranko · Look Here · Robert Foster

Connections: Gustav Klimt and Robert Foster (and Jim Steranko)

Here’s another paperback that I purchased at a recent church rummage sale:

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Now, that’s a very strong cover, no doubt, but I think that anyone who is familiar with the work of Gustav Klimt will tell you that the composition of Foster’s illustration owes a clear debt to Klimt’s Medicine (1901), a large-scale ceiling painting that was destroyed in a fire started by the Nazis and is known to us only by a black-and-white photograph of the finished work and a small colour preliminary:

Although at first glance you might be tempted to conclude that, in addition to being inspired by Klimt’s composition, Foster flat-out swiped the figure of the woman suspended in space in the upper-left-hand quadrant of Klimt’s painting, I think a closer comparison of the two figures suggests that what Foster actually did was hire his own model and instruct her to strike a pose similar to one Klimt chose for his model.


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BONUS IMAGE (Added 21 October 2012):

Just came across an illustration (with collage elements) by Jim Steranko, published in 1970, that obviously shares a strong family resemblance with the cover illustration by Foster, published in 1968, featured above:

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via


BONUS IMAGE, TOO (Added 27 October 2012):

I definitely think Foster shot his own reference for the figure of the floating woman in the New Writings in SF4 cover:

via

Keywords: New Writings in SF4, Infinity One, Thorns.

Comics · Here, Read · Jim Steranko

Look Here, Read: Midnight Double Feature

[N.B.: I just noticed that the sixth page was missing from the first story. I uploaded it, but I got the image number wrong in the gallery code. So that’s been fixed.]

From Journey into Mystery #3 (October 1952), here’s “The Stroke of Midnight,” with uncredited script and art, although according to this page at comics.org, pencils and inks are by Vic Carrabotta (an artist I’d never heard of until I stumbled across the story a couple of months ago):

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And, from Tower of Shadows #1 (September 1969), here’s “At the Stroke of Midnight,” with script and art by Jim Steranko:

[AGAIN, CLICK IMAGES TO ENLARGE]

Notice there are two covers above. The one with the couple staring wide-eyed at you, the reader, as they recoil, screaming, from an unseen horror, was designed and illustrated by Steranko specially for the inaugural issue of Tower of Shadows but was (in)famously rejected by editor Stan Lee in favour of a far more pedestrian effort by John Romita, et al., that featured a goofball portrait of the magazine’s host, Digger, in the upper left-hand corner. The title — “At the Stroke of Midnight!” — was also a Stan Lee imposition. Needless to say, Steranko was not pleased with what he viewed as Lee’s picayune editorial busywork. Here’s how the incident is described in the “Tower of Shadows” page at Wikipedia:

“At the Stroke of Midnight,” Steranko’s lead story in the premiere issue (Sept. 1969), won a 1969 Alley Award for Best Feature Story. Its creation had led to a rift between the celebrated Steranko and editor Lee that caused Steranko to stop freelancing for Marvel, the publisher that had showcased his highly influential work. Lee had rejected Steranko’s cover, and the two clashed over panel design, dialog, and the story title, initially “The Lurking Fear at Shadow House.” According to Steranko at a 2006 panel and elsewhere, Lee disliked or did not understand the homage to horror author H. P. Lovecraft, and devised his own title for the story. After much conflict, Steranko either quit or was fired. Lee phoned him about a month later, after the two had cooled down, and Steranko would return to produce several covers for Marvel from 1972-73.