From Strange Tales #28 (May 1954), here’s “With Knife in Hand,” with art by a 26-year-old Jack Katz, who went on to create the idiosyncratic 1970s underground epic, The First Kingdom:
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"This day's experience, set in order, none of it left ragged or lying about, all of it gathered in like treasure and finished with, set aside." –Alice Munro, "What is Remembered"
From Strange Tales #28 (May 1954), here’s “With Knife in Hand,” with art by a 26-year-old Jack Katz, who went on to create the idiosyncratic 1970s underground epic, The First Kingdom:
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From Web of Mystery #9 (May 1952), here’s “Vampire Bride,” with art by Louis Zansky:







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To view all of the stories with art by Louis Zansky that I’ve posted at RCN over the years, start here.
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I have quite a few Agatha Christie novels with cover art by Tom Adams, and sooner or later, I will scan them all for display here at RCN. So stay tuned, mystery lovers — and Tom Adams fans!
From Baffling Mysteries #11 (November 1952), here’s “Red Talons of Lupercalia,” with art by Louis Zansky:







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To view all of the stories with art by Louis Zansky that I’ve posted so far, start here.
I scoured the shelves at the local thrift shops a few days ago, looking for some cheap horror paperbacks to scan and post in the days leading up to Halloween, but the only one I saw that featured an illustration that I sort of liked was the following uncredited cover for The Devil’s Children, edited by Michael Parry:
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I suppose it’s possible that the cover image is an early illustration by Alan Lee, though the rendering (in watercolour) is tighter, and displays a much wider range of values, than one usually encounters in Lee’s work. So, probably not by Lee. Unless it is.
The bad guys have a plan:
But later it’s Jan to the rescue:
Doesn’t look too good for that poor devil right now, but Jan did say it would take a few minutes for the victims to return to normal… a month or two, at the most…
From Ghost Comics #7 (1953), here’s “Bride of Horror,” with art by penciller Bill Benulis and inker Jack Abel:
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I imagine that the great James Steranko read a fair number of tales like this when he was a teenager, if you know what I mean…
From the library of yours truly:
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The foreground figures in the above (uncredited and unsigned) illustration are tremendously effective; the background figures, not so much.
