"This day's experience, set in order, none of it left ragged or lying about, all of it gathered in like treasure and finished with, set aside." –Alice Munro, "What is Remembered"
Since I started TRANSISTORADIO back in August, I have been even slower to post new stuff here at RCN than I used to be, but this evening, I found the time to scan and process four covers with airbrush art by Stanislaw Fernandes, whose work has been featured once before here at RCN. Enjoy!
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ABOVE: Arthur C. Clarke, Reach for Tomorrow (NY: Ballantine, 1972), 29474, with cover art by Stanislaw Fernandes.
ABOVE: Arthur C. Clarke, Childhood’s End (NY: Ballantine, 1974), 29730, with cover art by Stanislaw Fernandes.
ABOVE: Michael Moorcock, The Cornelius Chronicles (NY: Avon, 1977), 31468, with cover art by Stanislaw Fernandes.
ABOVE: Michael Moorcock, An Alien Heat (NY: Avon, 1977), 34611, with cover art by Stanislaw Fernandes.
Keywords:The Cornelius Chronicles and An Alien Heat by Michael Moorcock, Childhood’s End and Reach for Tomorrow by Arthur C. Clarke, Stanislaw Fernandes.
Here at RCN, we are unaccountably proud of our unsung power to distract an uncommunicative coterie of unwashed hipsters from the unbounded corruption of the uncaring world with an unsteady stream of unprofessional scans of unsound books from the unkempt collection of RCN’s undistinguished doofus-in-chief, yours truly. Like these, for instance:
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ABOVE: John Crowley, The Deep (NY: Berkley, 1976), D3163, with cover art by Richard Powers.
ABOVE: Clifford D. Simak, The Goblin Reservation (NY: Berkley, 1969), S1671, with cover art by Richard Powers.
ABOVE: Zach Hughes, The Stork Factor (NY: Berkley, 1975), N2781, with cover art by Richard Powers.
Keywords:The Stork Factor by Zach Hughes, The Deep by John Crowley, The Goblin Reservation by Clifford D. Simak, Richard Powers.
I have all sorts of used books in my personal library that I purchased I can’t remember when for maybe a quarter or fifty cents a piece just for the cover art, including these, which I just scanned for display here at RCN:
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ABOVE: Madonna Kolbenschlag, Kiss Sleeping Beauty Good-Bye (NY: Bantam, 1981), with cover art by Leo and Diane Dillon.
ABOVE: Shakti Gawain, Creative Visualization (NY: Bantam, 1985), with cover art by Leo and Diane Dillon.
Shakti Gawain? Of course, Shakti Gawain! Would anyone in the 1980s have purchased new-age claptrap like Creative Visualization had it been penned by Mike Smith from Canmore, Alberta? Not bloody likely!
And will you look at that: both the copyright page and the author’s acknowledgement credit the Creative Visualization cover art to Rainbow Canyon… wait, what? Rainbow Canyon? Of course, Rainbow Canyon! It’s perfect!
The other cover is uncredited, but you and I both know that the art for both Kiss Sleeping Beauty Good-Bye and Creative Visualization is by the Dillons, right?
Keywords:Kiss Sleeping Beauty Good-Bye by Madonna Kolbenschlag, Creative Visualization by Shakti Gawain, Leo and Diane Dillon.
Powers didn’t produce many covers with collage elements that are as obvious as the mechanical building blocks of his art for Lester del Rey’s Mortals and Monsters, but he makes it work, splendidly, as usual. The dotted line and black dot on the left-hand side give the collage a sardonic twist: all that complex machinery, and the result is what? a pop gun?
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ABOVE: Lester del Rey, Mortals and Monsters (NY: Ballantine, c. 1965), with cover art by Richard Powers.
ABOVE: John Wyndham, Out of the Deeps (NY: Ballantine, 1969), with cover art by Richard Powers.
Keywords:Out of the Deeps by John Wyndham, Mortals and Monsters by Lester del Rey, Richard Powers.
A couple of really ratty old SF paperbacks, from the collection of yours truly:
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To view three Heinlein paperbacks with cover art by Szafran that are from the same reprint series as the above titles but are are in very good condition, click here and scroll down. To view all of the covers with art by Szafran that I’ve posted so far, start here.
Keywords:Assignment in Eternity, The Menace from Earth, Robert A. Heinlein, Gene Szafran.
Both in the context of Prelutsky and Lobel’s children’s book, The Headless Horseman Rides Tonight, and in this series of posts here at RCN, Lobel’s best scary art has been saved for last:
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SOURCE: Jack Prelutsky, The Headless Horseman Rides Tonight: More Poems to Trouble Your Sleep (NY: Greenwillow Books, 1980), illustrated by Arnold Lobel.
“Scene of Death, Marine Drive, Tamarama,” 24 February 1954. Photo by NSW Police Dept. Via HHT.
“Scene of Death, Marine Drive, Tamarama,” 24 February 1954. Photo by NSW Police Dept. Via HHT.
“Scene of Death, Hotel Metropole, Sydney City,” 15 August 1955. Photo by NSW Police Dept. Via HHT.
“Scene of Death, Wilde Street, Potts Point,” 25 April 1954. Photo by NSW Police Dept. Via HHT.
What intrigues me about the above photographs is how the phrase “Scene of Death” in the “title” of each one opens a valve of imagination in the viewer that the still image — last photo excepted — would probably not so easily twist open sans text… or maybe it’s just me…