Comics · Here, Read · Hilda Terry · Look Here

Look Here, Read: Nine single-panel comics by Hilda Terry

Apologies in advance for the poor quality of the images this time around: I scanned all nine of the single-panel comics by Hilda Terry displayed below — seven from 1942, two from 1945 — from printouts that I made from microfilm of back issues of The Saturday Evening Post. I’ve made some adjustments to my scans of the printouts to make them more readable, but they’re definitely a lot rougher than I’d like. And yet, I still think they’re well worth posting. Enjoy!

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Publication information is in the file names. Looks like I forgot to record the day and month of the issue of The Saturday Evening Post from 1942 that included the comic with the caption, “We just came in for a glass of water!” I also neglected to record the page numbers. Sorry!

To see more energetic and attractive work by the wonderful Hilda Terry, start here.

Comics · Here, Read · Look Here · Obituaries · Spain Rodriguez

Rest in Peace: Spain Rodriguez (22 March 1940 – 28 November 2012)

Underground comics trailblazer, Zap Comix stalwart, and graphic novelist, Spain Rodriguez, died at 7 AM this morning of cancer. He was 72.

Spain leaves behind a wife and daughter as well as numerous friends, colleagues, and fans, who will all mourn his passing.

Spain’s too-brief Wikipedia biography reads as follows:

Born in Buffalo, New York, Rodriguez studied at the Silvermine Guild Art School in New Caanan, Connecticut. In New York City, during the late 1960s, he became a contributor to the East Village Other, which published his own comics tabloid, Zodiac Mindwarp (1968).

A founder of the United Cartoon Workers of America, he contributed to numerous underground comics and also drew Salon’s continuing graphic story, The Dark Hotel.

Strongly influenced by 1950s EC comic book illustrator Wally Wood, Spain pushed Wood’s sharp, crisp black shadows and hard-edged black outlines into a more simplified, stylized direction. His work also extended the eroticism of Wood’s female characters. In such classics as Mean Bitch Thrills, Spain’s ladies were raunchy, explicitly sexual and sometimes incorporated macho sadomasochistic themes [sic].

His more recent work is an illustrated biography of Marxist revolutionary Ernesto “Che” Guevara, Che: A Graphic Biography (2009). Published in several different languages, it was described by comics artist Art Spiegelman as “brilliant and radical.”


“His [Spain’s] genuine belief in a kind of crazed left-wing revolution was really part of that Zeitgeist [that produced Zap Comix and other first-generation underground publications] and is presented with fervor and humour, and his work has a kind of synthesis of the stuff that he’d been growing up with, that first era of comic books that got burned and censored in the fifties as part of the cleanup of the medium, and Spain vehemently and courageously and continually refused to be cleaned up.”
Art Speigelman, in conversation with Colin Dabkowski,
The Gusto Blog at The Buffalo News, 28 November 2012


And now, in tribute to Spain, RCN is pleased to present (along with the images of Trashman that bookend this post) the artist’s two-page profile of Ukrainian anarcho-communist revolutionary, Nestor Makhno, as it appeared in Anarchy #1 way back in 1976:

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“I don’t want to be a mainstream cartoonist. I don’t want to have to be a mouthpiece for what I consider unjust. I’ll do commercial work to make bread, but the great thing about doing underground comics is the fact that we can just say it as we see it.”
Spain Rodriguez, in conversation with Gary Groth,
The Comics Journal #204 (May 1998)


BONUS LINK:

Ragged Claws Network > Look Here, Read: “Binbo Johnnie” by Spain


MORE:

Ragged Claws Network > Look Here: “An Average Day on Mission Street” by Spain Rodriguez
Ragged Claws Network > Look Here, Read: “Stalin” by Spain Rodriguez


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ESPECIALLY:

TCJ.com > Spain Rodriguez Fought the Good Fight by Patrick Rosenkranz. Here’s an excerpt:

Spain Rodriguez brought a unique perspective to comic art – a hard-edged outlaw’s attitude coupled with a voluptuous sensuality that also espoused class struggle and a universal quest for human dignity. His characters were die-hard individuals who ceaselessly fought the oppressor, powerful women who demanded respect – by force if necessary, and many of the real people who inhabited his life. He excelled at science fiction fantasy, gender warfare, heroic tall tales, and the dramatization of his own experiences. He also created many non-fiction works on historical figures and events, including Joseph Stalin, Che Guevara, and Lily Litvak, the Rose of Stalingrad. He was a genuine Marxist who fought fairly and with club spirit.

He had a lot of stories left to tell, he said in a recent interview for his autobiographical collection, Cruisin’ With the Hound [Fantagraphics, 2011].

“If I live long enough, I’ll do stuff about other periods, like here in San Francisco when I first got here and on the Lower East Side. They were replete with many adventures.”

Now it’s too late. Those stories went with him.


AND:

Susie Bright’s Journal > In Memory of Spain Rodriguez: March 22, 1940 – November 28th, 2012


“Spain’s my buddy, my old pal, one of my best friends. I’ve learned a lot from Spain. I greatly admire his artwork. He is such a strong, committed, communist, left-wing guy. I know I can always count on him to give me a clear, concise Marxist theory or reaction or viewpoint on whatever’s going on in the world, which I appreciate very much actually.”
Robert Crumb, “Crumb on Others, Part Two”


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Comics · Here, Read · Look Here

Look Here, Read: “Steel Souls” by Dan Recchia

The first two instalments of Dan Recchia’s one-page strip, “Steel Souls,” featured below were published in Hot Stuf’ #6 (1977); the third was published in Hot Stuf’ #7 (1978); and the fourth was published in Jasia Reichardt, Robots: Fact, Fiction, and Prediction (Penguin Books, 1978).

“Steel Souls” did not appear in any other issues of Hot Stuf’, but as the caption to the strip published in Robots seems to indicate, other unpublished instalments of the strip may exist…

Commonplace Book · Harvey Kurtzman · Here, Read

HELP! co-publisher and editor Harvey Kurtzman receives a pitch from Kurt Vonnegut…

October 18, 1961
West Barnstable, Mass.

Dear Mr. Kurtzman:

I have been a queasy fan of yours for a good while now. I would be enormously pleased if something of mine got into Help. Would the idea of shelter-hopping kits interest you? Families too big or too lazy or too poor to build adequate fallout shelters could buy from our company quite cheap kits guaranteed to open any shelter yet recommended by Civil Defense.

The cheapest kit, selling for $14.95, say, would consist of a World War Two surplus cylinder of Cyklon B, guaranteed by I.G. Farben, and a shaped charge for blowing the lock on any shelter door. More luxurious kits might include C.D. uniforms, all-clear signals; tape recordings of beloved family pets scratching to be let in, tape recordings of old A.B.C. speeches on the harmlessness of fallout; grenades, bazookas, flamethrowers, etc. We recommend that no informed person go anywhere without the basic kit, since the necessity of getting into a shelter is likely to arise at any time. We therefore package the kits to look like attache cases, lunchpails, hatboxes, shopping bags, copies of Dr. Zhivago, etc.

As a rule of thumb, we recommend that, for minimum safety during nuclear war, each person be equipped to take over three shelters. We say this, because there are bound to be disappointments—meagerly equipped shelters, shelters furnished in bad taste, septic tanks mistaken for shelters, etc. One town figured the appalling cost of building community shelters, decided instead to buy enough kits to take over the shelters of an adjoining town, thereby saving enough money to send the high school band to the next Orange Bowl game. With every order goes a subscription to our news letter, which tells who is building shelters where, what they are putting into them, and how the owners intend to defend them.

Etc. More details on request.
Kurt

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