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“[…] its contrast of structure and dimension, rough against smooth, aerial photograph against close-up, perspective against flat surface, the utmost technical flexibility and the most lucid formal dialectics are equally possible[….] The ability to manage the most striking contrasts, to the achievement of perfect states of equilibrium […] ensures the medium a long and richly productive span of life[…]”
— Raoul Hausmann (1886-1971), “Definition of Photomontage,” quoted in Hans Richter, Dada Art and Anti-Art (Thames and Hudson: London, 1965), p.116.
— VIA —
