On the one hand, the cropped Feck painting on the front of John Dickson Carr’s The Third Bullet violates two rules of pulp-fiction eroticism: 1) the woman is wearing no shoes instead of having one shoe on and one shoe off (one shoe on the ground doesn’t count), and 2) the shadow on her skin and on the ground is not in the shape of a man’s silhouette. On the other hand, who gives a rat’s ass?
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Ragged Claws Network 