From Four-Star Battle Tales #5 (Nov.-Dec. 1973), here is “The Three Frogmen,” with art by Mort Drucker; in case you’re wondering about Drucker’s (John Severin influenced?) style in this one, please note that “The Three Frogmen” originally appeared in G.I. Combat #72 way back in May 1959:
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Hope you enjoyed “The Three Frogmen,” because I don’t plan to post any more stories with art by Mort Drucker here on RCN. The trilogy is complete… or something like that…
Yesterday, I posted a story called “Gone Is the Gargoyle,” from the October 1954 issue of Marvel Tales, which featured early art by Mort Drucker (b. 22 March 1929), whose mature work set the standard for caricature on Mad Magazine’s covers and in their movie parodies for several generations. True, the art in “Gone Is the Gargoyle,” though it is clearly signed “Mort Drucker,” does not look especially Drucker-like; however, less than two years later, the same comic series, Marvel Tales, featured a story with uncredited, unsigned art by Drucker that I think definitely points in the direction of the artist’s celebrated Mad Magazine style. But you don’t have to take my word for it, because from Marvel Tales, volume 1, number 146, here is “One Man’s Leprechaun,” with art by Mort Drucker; the issue is dated May 1956, and in the fall of that same year, Drucker joined Mad:
Given a choice to save the original artwork from either “Gone Is the Gargoyle” or “One Man’s Leprechaun” from a fire, I would definitely tuck “Gone Is the Gargoyle” under my arm and make for the exit, though I suspect many true Drucker fans will view my admission as a sign I’m not really one of them.
From Marvel Tales, volume 1, number 127, here’s “Gone Is the Gargoyle,” a story with no formal credit for either the scriptwriter or the artist; however, as often happened “back in the day,” the artist got around this by signing his name, unobtrusively, on the art itself — in this case, on the bottom left of the last page: