Eartha Kitt – “Do It Again” (1962)
Via Youtube:
"This day's experience, set in order, none of it left ragged or lying about, all of it gathered in like treasure and finished with, set aside." –Alice Munro, "What is Remembered"
Promotional film for Andy Partridge’s album, Powers: 12 Sound Pieces Inspired by the Art of Richard M. Powers, which was released on Partridge’s Apehouse label in early 2010, was available as a limited-edition CD, and is available now only as a digital download:
Designed to look like a worn SF pulp paperback, the cover of the limited-edition CD incorporates a painting by former XTC front-man Andy Partridge intended as an homage to the classic Powers style:
To download an MP3 of the audio from the above youtube clip, right-click here and select “Save Link As…”.
I’m a bit late to notice this, but back in November of 2009, MaestroMedia Productions released a two-disk DVD set of The Polymath, or the Life and Opinions of Samuel R. Delany, Gentleman, produced, written, directed, and photographed by Fred Barney Taylor. Available for a mere US$30 plus shipping and handling (request a total if you live outside the United States), the DVD set includes the original 80-minute documentary, along with a second DVD with over two hours of raw footage of Delany in conversation and a digital transfer of Delany’s “lost” 16-mm film from 1971, The Orchid (which, comic readers may be interested to know, includes Bernie Wrightson as an extra).
From the official Facebook Web site for the film:
The iconic and larger-than life Samuel R. Delany, best known as the author of Dhalgren and Babel-17, winner of multiple Hugo and Nebula awards, is considered a grandmaster of the sci-fi community. Born and raised in New York City, Delany began writing in the early 1960s and became famous for his provocative futuristic explorations of race and sexual identity. He was a rebellious pioneer who opened up the white male universe of science fiction to issues of race, gender and sexuality
The grandson of a slave, he has written frankly about his life and sexual adventures as a gay African-American, notably in his brilliantly reflexive memoir, The Motion of Light
and[in] Water and in Times Square Red, Times Square Blue, a social and critical complaint about the disappearance of the area’s famous porn theatres.Back in the day, Chip shared a stage with Bob Dylan, drank with W.H. Auden, wrote an opera, made a film, formed a theatre company, and authored several issues of Wonder Woman. He has had, by his count, over 50,000 sexual partners during the course of his lifetime.
Taylor uses visually-stunning images of water and bridges as abstract compositions; a visual correlative of the author’s multi-layered writing. By juxtaposing Delany’s flow of memories, readings and archival footage with mesmerizing imagery of the city, The Polymath expresses in vivid detail the complexities of an eclectic intellectual.
Also, if you’re a fan of Delany, watch for his new novel, Through the Valley of the Nest of Spiders, which, if Amazon is to be believed, will appear in early 2011.
Lately, when I need a bit of cheering up, I re-watch this sublime bit of silliness:
I especially love the finale, starting from when Craig Ferguson grabs his belt buckle, struts toward the camera, and brings the house down with one last let-it-all-hang-out blast of unadulterated fun.
P.S. The song to which Craig and the gang are lip-syncing is Fat Boy Slim’s “Wonderful Night.”
I recommended Beefheart and his Magic Band to the adult son of my wife’s sister, a young man who is heavily into music both as a listener and as a working muscian and songwriter, but he would have none of it. In fact, he sent me the CD he bought for himself, so now I have two copies of Clear Spot/The Spotlight Kid, a double-album CD which isn’t exactly hardcore Beefheart but which is a good entry point for people who want to ease into the oeuvre. Cool thing is, I’ve played Beefheart enough around the house and in the car that my fourteen-year-old son is a fan. Maybe that’s the trick: repeated exposure. Or maybe it’s just parental influence/approval. No matter. Whatever it is, BEEFHEART LIVES!
PART 1:
PART 2:
PART 3:
PART 4:
PART 5:
PART 6:
“Rock ‘n’ roll is a fixation, that bom, bom, bom, bom, bom, momma heartbeat. I don’t like hypnotics, you see, I’m doing non-hypnotic music to break up the catatonic state. And I think there is one right now.”
— Captain Beefheart