"This day's experience, set in order, none of it left ragged or lying about, all of it gathered in like treasure and finished with, set aside." –Alice Munro, "What is Remembered"
ABOVE: Daoma Winston, The Return (New York: Avon, 1972), with cover art by Robert McGinnis.
ABOVE: John D. MacDonald, The Crossroads (New York: Fawcett, n.d.), with cover art by Robert McGinnis.
ABOVE: Barbara Michaels, Wait for What Will Come (New York: Fawcett, 1978), with cover art by Robert McGinnis.
The lesson here: if you’re fleeing from danger, or just out taking the air, alone, on the verge of a dangerous precipice, and you’re wearing a dress, you’re going to have to hike it up in front with your hands to avoid tripping headlong into the clutches of an insistent lover or over the brink. Women already know this; men, not so much.
Keywords:The Return, The Crossroads, Wait for What Will Come.
One bare foot… hm… perhaps it’s a sign… a symbol of some sort… if only I could think what it means…
[CLICK IMAGES TO ENLARGE]
ABOVE: Robert Kyle, Kill Now, Pay Later (New York: Dell, 1960), with cover art by Robert McGinnis.
ABOVE: Robert Kyle, Some Like It Cool (New York: Dell, 1962), with cover art by Robert McGinnis.
Sorry about the iffy scan on the second one. The book is a little bit warped, so the scanner created and caught a bit of glare.
BONUS COVER SCAN (added 14 August 2010):
This evening, as I was absent-mindedly browsing the paperback shelves in our basement, I came across a cover by an uncredited artist that had something about it that made me want to include it here…
[CLICK IMAGES TO ENLARGE]
ABOVE: Doris Lessing, In Pursuit of the English (New York: Ballantine, 1966), with cover art by Robert Foster (uncredited/attributed).
In my growing collection of vintage books, I have quite a few paperbacks with Robert McGinnis art. I posted a few last time; now, here are five more, in no particular order:
ABOVE: John D. MacDonald, Area of Suspicion (New York: Fawcett, n.d.), with cover art by Robert McGinnis
ABOVE: Edward S. Aarons, Assignment White Rajah (New York: Fawcett, 1970), with cover art by Robert McGinnis.
ABOVE: John D. MacDonald, The Damned (New York: Fawcett, n.d.), with cover art by Robert McGinnis.
ABOVE: Scott C. S. Stone, The Dragon’s Eye (New York: Fawcett, 1969), with cover art by Robert McGinnis.
ABOVE: John D. MacDonald, The Price of Murder (New York: Fawcett, n.d.), with cover art by Robert McGinnis.
I usually prefer to display paperback covers in order of publication, but these Fawcett paperbacks mostly don’t include the year(s) of publication, only the year the book was copyright.
Keywords:Area of Suspicion, Assignment: White Rajah, The Damned, The Dragon’s Eye, The Price of Murder.
Scanned from the mouldering vintage-paperback library of yours truly, here are four “Carter Brown” covers by Society of Illustrators Hall of Fame inductee Robert McGinnis (1926 – ), everyman’s favourite pulp-paperback cover artist:
ABOVE: Carter Brown, The Wind-up Doll (Signet, 1964), with cover art art by Robert McGinnis.
ABOVE: Carter Brown, Had I But Groaned (Signet, 1966), with cover art by Robert McGinnis.
ABOVE: Carter Brown, Blonde on a Broomstick (Signet, 1968), with cover art by Robert McGinnis.
ABOVE: Carter Brown, Blonde on the Rocks (Signet, 1971), with cover art by Robert McGinnis.
First interesting fact about McGinnis: his preferred medium for his cover paintings wasn’t oil, or watercolour, or gouache; rather, it was, and still is, egg tempera. Second interesting fact: McGinnis seldom drew from life but instead took photographs of models (etc.), projected them onto the painting surface, and traced the resulting images, clarifying the forms where necessary, and elongating and adjusting the limbs and features according to his distinctive sense of proportion and beauty. McGinnis very briefly demonstrates his working methods in a DVD entitled Robert McGinnis: Painting the Last Rose of Summer, which is not a painting video at all but rather a documentary overview of McGinnis’s career as a commercial artist and painter.
Keywords:The Wind-up Doll, Had I But Groaned, Blonde on a Broomstick, Blonde on the Rocks.