“Wally Wood‘s 22 Panels That Always Work!!”:
[CLICK IMAGES TO ENLARGE]
Ivan Brunetti’s “22 Panels That Always Work* (*Sometimes)”:
“Cheese‘s 22 Panels That Never Work!!”:
And…
Jon Morris’s “16 Panels That I Don’t Think Work All That Well (But Which People Keep Using Over and Over) (Also, I Couldn’t Think of 22, So Wally Wood Wins)”:
Also…
Michael Oeming’s “A Powers Study of Wally Wood’s ’22 panels that always work'”:
PLEASE NOTE that, on 04 May 2013, I updated the bonus link below to point to an Internet Archive Wayback Machine version of Joel Johnson’s post because I noticed that my link to the blog entry on Johnson’s site was dead. On the same day, I posted Joel Johnson’s various scans as bonus images in order to preserve them for posterity.
BONUS LINK:
Wally Wood’s 22 Panels that Always Work: Unlimited Edition – Joel Johnson outlines the history of the famous 22 panels and offers, for your downloading pleasure, various “high-resolution versions of ‘Wally Wood’s 22 Panels That Always Work’ in ‘Unlimited Edition,’ scanned in from the original paste-up.” Here’s an excerpt in which Larry Hama describes the genesis “22 Panels”:
I worked for Wally Wood as his assistant in the early ’70s, mostly on the Sally Forth and Cannon strips he did for the Overseas Weekly. I lettered the strips, ruled borders, swipe-o-graphed reference, penciled backgrounds and did all the other regular stuff as well as alternating with Woody on scripting Cannon and Sally Forth.
The “22 Panels” never existed as a collected single piece during Woody’s lifetime. Another ex-Wood assistant, Paul Kirchner had saved three Xeroxed sheets of the panels that would comprise the compilation. I don’t believe that Woody put the examples together as a teaching aid for his assistants, but rather as a reminder to himself. He was always trying to kick himself to put less labor into the work! He had a framed motto on the wall, “Never draw anything you can copy, never copy anything you can trace, never trace anything you can cut out and paste up.” He hung the sheets with the panels on the wall of his studio to constantly remind himself to stop what he called “noodling.”
When I was starting out as an editor at Marvel, I found myself in the position of having to coach fledgling artists on the basics of visual storytelling, and it occurred to me that the reminder sheets would help in that regard, but three eight-by-ten pieces of paper were a bit unwieldy, so I had Robby Carosella, the Marvel photostat guy at the time, make me re-sized copies of all the panels so I could fit them all on one sheet. I over-compensated for the half-inch on the height (letter paper is actually 8 1/2-by-11) so the main body of images once pasted up came a little short. I compensated for that by hand lettering the title.
BONUS IMAGES: JOEL JOHNSON’S ORIGINAL “22 PANELS” UNLIMITED EDITION SCANS
Ragged Claws Network 
