Look Here: The “Three Damosels” trilogy with cover art by the Brothers Hildebrandt

Way back in high school, I briefly became interested in the work of the Brothers Hildebrandt, although I must say, even though I spent my very own hard-earned money on Urshurak and The Art of the Brothers Hildebrandt, I could never quite muster the same enthusiasm for them that I had — and still, in a much-qualified sense, have — for Frazetta.

The following three covers are typical of the style of the Brothers Hildebrand in the late 1970s. The influence of N.C. Wyeth is obvious here, but once one discovers the work of Wyeth himself, the art of the Brothers Hildebrandt simply will not do…

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Keywords: The Green Knight, The King’s Damosel, King Arthur’s Daughter, Vera Chapman, Tim Hildebrandt, Greg Hildebrandt.

Look Here: Four covers with art by Harry Bennett

From the collection of yours truly, here are four covers with art by Harry Bennett that seem to me to encapsulate the stylistic trajectory of the artist’s vast body of work in illustration from the late 1950s to the early 1970s, although the early 1970s is not when Bennett’s career/development ended, by any means:

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When Bennett died in 2012, his family wrote the following tribute to their beloved patriarch:

Award-winning painter and illustrator Harry R. Bennett, formerly of Ridgefield, died early Thursday, November 29, 2012, from complications of pneumonia at The VA Medical Center in Baltimore, MD.

He had lived with his daughter, Pamela Bennett and wife Margaret Shean in Towson, Maryland.

Harry Bennett was born May 15, 1919 in South Salem, NY. His father was a native Ridgefielder whose roots in Ridgefield went back to the 18th Century. Bennett was born months after his own father, Harry Bennett, died of the 1918 flu epidemic. His mother Anna Karlson raised the family earning income by operating a laundry business. The family moved to Gilbert street when Harry was a year old.

He had two sisters, Dorothy Bennett Carboni and Lillian Bennett Bliss.

A 1937 graduate of Ridgefield High School, he starred in athletics, was the captain and center for the RHS basketball team that reached the semifinals in the state championship and was president of his class.

Mr. Bennett was a commercial artist for the Magazine Photo Engraving Corp., Stamford when he enlisted in the Army in November, 1940. He graduated from the Infantry Officer Candidate School in May 1942 and was commissioned a second lieutenant, and promoted to first lieutenant the same year. Major Bennett was a veteran of the Hollandia operation, in which Gen Douglas MacArthur’s forces cut off the entire Japanese 18th Army, and in which Major Bennett himself won the bronze star.

In 1945, Bennett married Margaret Shean in Ridgefield, Ct, where they lived until 1985. After the war, his wife encouraged him to attend art school and to follow his passion for painting. Mr. Bennett attended both The Art Institute of Chicago and The American Academy of Art Chicago for two years, until he started working as a commercial artist. He illustrated ads for Buick, Pepsi Cola and U.S. Keds.

He lived and worked in what is now known as the Bennett House on Main St. in Ridgefield. He would use his family and neighbors as models for over 1,000 book covers and illustrations over the years.

Mr. Bennett was best known as an internationally published illustrator who painted large scale covers for the big publishers of the paperback industry at the time including, Simon and Schuster, Western Printing and Avon Press. He did covers for various authors including, Jude Deveraux, Mary Stewart, Phyllis Whitney, and Victoria Holt. He also illustrated the first paperback edition of Mario Puzo’s The Godfather.

The New York Society of Illustrators awarded Harry Bennett a bronze medal for the ink paintings he created to illustrate a boxed collectors’ edition of Dante’s “Divine Comedy,” published in 1966, in which he was granted him a one man show at The New York Public Library.

In 1986, Mr. Bennett retired from his commercial work and traveled out West, painting and teaching. He lived in Corvalis and Cannon Beach, Oregon, until finally settling down in a small riverfront town named Astoria in 1989.He was drawn to the landscape there and moved into a small house overlooking the Colombia River. He had a studio downtown where he spent most of his time.

Bennett exhibited his paintings in Astoria, where his work continues to be shown. Jeannine Grafton, director of the RiverSea Gallery, remembers Bennett as a passionate, enthusiastic artist with a “youthful zest for life.”

Harry was compassionate, warm and always interested in engaging with new people. Teri Sund, who was a good friend of Mr. Bennett’s and helped run RiverSea Gallery before opening her own gallery, recalls, “He was the most honorable and graciously sincere human I have ever had the privilege to know. When Harry was in the room, their were no worries, we all felt safe and cared for when he was around.”

Harry had a strong work ethic, always wanted to be painting or preparing for a painting. He was a great mentor to young artists, including his daughter Deborah and Thomas who are also painters.

In 2008, Harry Bennett and Margaret Shean moved to Towson, MD to be closer to his family on the East Coast.

In addition to his wife of 67 years, Margaret Shean, he is survived by two daughters, Deborah Bennett of Atlanta and Pamela Bennett of Towson and three sons, Harry Bennett Jr. of Canyon Country, CA, Michael Bennett of West Palm Beach, FL and Thomas Bennett of Brooklyn, NY. He is survived by eight grandchildren and three great-grandchildren.

Keywords: A Daughter’s a Daughter by Agatha Christie, Mary Westmacott, Barabbas by Pär Lagerkvist, The Savage by Noel Clad, The Last Love by Thomas B. Costain, Harry Bennett.

Look Here: Four mysteries from the ’40s from Pocket Books

The following paperbacks, inexpertly scanned by me from the collection of yours truly, were all printed in the early 1940s. The covers, unfortunately, are all uncredited. The artwork for William Irish’s Phantom Lady, however, is clearly signed by artist Leo Manso…

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“William Irish” was a pseudonym of Cornell Woolrich, “Carter Dickson” was John Dickson Carr, and “Agatha Christie” was Agatha Christie.

Keywords: The Mystery of the Blue Train by Agatha Christie, Phantom Lady by William Irish, Cornell Woolrich, Peril at End House by Agatha Christie, The Bowstring Murders by Carter Dickson, John Dickson Carr, Leo Manso.

Look Here: Two SF novels and a political thriller covered by Paul Lehr

So many covers to scan… so little time…

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Keywords: Separation by Richard Rohmer, Nightmare Journey by Dean R. Koontz, Dolphin Island by Arthur C. Clarke, Paul Lehr.

Connections: Neil Young (1974) and Supertramp (1975)

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Keywords: On the Beach by Neil Young, Crisis? What Crisis? by Supertramp.